{"title":"Boutique Effects Pedals - New Arrivals!","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eGet your grubby mitts on the newest aural manipulators from the world's best builders. Electronic Audio Experiments, 1981, Benson, Science, Zvex, Greer and more!\u003c\/p\u003e","products":[{"product_id":"crowtheraudiohotcakemadeinnz","title":"Crowther Audio Hotcake (Made in NZ)","description":"\u003cp\u003eThe Hotcake was first produced in 1976, while Paul Crowther was in the UK with the band, Split Enz. The Hotcake is designed to leave the undistorted component of the guitar sound unchanged while providing a nice fat distortion sound without resorting to a treble cut circuit which will also affect the guitar tonality. With the Drive and Presence controls set to minimum, and the Level at around 2 o'clock, you should be hard-pressed to hear any change in the sound at all when you switch the Hotcake in and out. \u003cbr\u003e\u003cbr\u003eYou can get a clean volume boost by increasing the Level control. Increasing the Drive will give you a thick distortion sound with a little bit of edge to it, and the Presence control adds some mid-range punch to the sounds. The Hotcake also handles chords well. It is recommended that the Hotcake is patched between the guitar and amplifier, rather than into an amplifier's effect loop. Generally speaking, if you are happy with your guitar and amplifier combination, the Hotcake will work well as a primary distortion.\u003c\/p\u003e","brand":"Crowther Audio","offers":[{"title":"Default Title","offer_id":32839304609877,"sku":"15103","price":275.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/products\/e4b37c9e72d26374c672d6412440ad74d8bcf114.jpg?v=1603687545"},{"product_id":"crowtheraudiodoublehotcakemadeinnz","title":"Crowther Audio Double Hotcake (Made in NZ)","description":"\u003cp\u003eThe Double Hotcake has two Hotcakes 'A' and 'B' in one box. The A is a Bluesberry version, and the B a normal version (the \"Bluesberry\" voicing of the Hotcake has a slightly less buzzy edge at the onset of distortion, and often works well when guitarists have amplifiers with extra extreme treble boost, like some Marshalls for instance). Both have three knobs and a footswitch as with regular Hotcakes. \u003cbr\u003e\u003cbr\u003eIf both Hotcakes are switched on together, the A Hotcake drives the B, and its controls are bypassed, but an extra Drive control is switched in to adjust its gain. There is also an extra clipping stage and a reduction in low frequencies to make for a better lead sound in the high gain situation. The A Hotcake has the usual buffered bypass (the circuit becomes a buffer in bypass mode), while the B Hotcake is hard bypassed using gold plated contacts.\u003c\/p\u003e","brand":"Crowther Audio","offers":[{"title":"Default Title","offer_id":32839307165781,"sku":"15104","price":499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/products\/7b418963c96979b3f6bb27ec9115996d44de50dd.jpg?v=1603687809"},{"product_id":"crowtheraudioprunescustardmadeinnz","title":"Crowther Audio Prunes \u0026 Custard (Made in NZ)","description":"\u003cp\u003eThe Prunes \u0026amp; Custard is a two-stage circuit. There is a preamp stage, the gain of which is adjusted with the Drive control. This stage is followed by a special wave-shaping distortion circuit. There is some treble roll-off between the preamp and the special distortion circuit. The frequency at which this treble roll-off happens can be changed with the Guitar\/Bass switch. The special distortion stage produces strong harmonic overtones, mostly odd harmonic. Higher harmonics are progressively introduced with increased Drive settings and signal level, so a decaying bass guitar note can sound like a mean swept filter. \u003cbr\u003e\u003cbr\u003ePlaying double notes, like 4ths or 5ths can produce some strong intermodulation effects, rather like a ring modulator, but more musical, albeit more distorted! The Mix control is a balance between the preamp stage output (ccw), and the special distortion stage output (cw). For bass guitar, the Mix control would usually be set at around 10 to 12 o'clock. For guitar, a high Mix setting, along with reduced Drive can give some rather pleasant overdrive effects. \u003cbr\u003e\u003cbr\u003eWhen the Drive and Mix controls are set to higher settings, the sound can become all harmonics, with very little fundamental signal, and in some situations may sound a bit thin, especially for bass guitar, but setting the Lo Freq. contour switch to the right takes some low frequency from the Preamp side of the Mix control and mixes it back with the special distortion side. When used as an effect in a live mixing or recording situation, the P\u0026amp;C can be driven from a spare aux send or channel direct out and returned to a spare input channel. In this situation, the Mix control would be set to maximum, and there is the added flexibility of being able to apply EQ to the distortion effect and to use it dynamically within a mix. This is quite useful for (yet another) overdriven snare sound, and for toms. To avoid things getting too out of hand, inserting a noise gate on the return, and maybe keying it from the send signal can be a useful idea.\u003c\/p\u003e","brand":"Crowther Audio","offers":[{"title":"Default Title","offer_id":32839311982677,"sku":"15105","price":289.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/products\/b8f6b20b78dc8293971193f9cfbab59b6da52860.jpg?v=1603688265"},{"product_id":"2008-zvex-wah-probe-hand-painted","title":"2008 Zvex Wah Probe (USA, Hand Painted, Box + Plate)","description":"Lovely condition in box handprinted Zvex Wah Probe. A wah-wah pedal with no rocker pot to wear out, it uses a proximity sensing radio transmitter so you can achieve super fast wah action and chewy sounds (pulling your foot quickly away), and it even has a Super Hard On™ built in so you can drive it to any volume you want. Has the plate included so you can run it off pedal power too. What a ripper. Made in USA #1031.","brand":"Zvex","offers":[{"title":"Default Title","offer_id":49317095342392,"sku":"C030922A","price":400.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/Consigns25thsept00401Oct072024.jpg?v=1728279889"},{"product_id":"zvex-vexter-super-hard-on-distortion-pedal","title":"Zvex Vexter Super Hard On Distortion Pedal","description":"\u003cp\u003eThe Super Hard On, or 'SHO' as Zvex fondly refer to it, is an ultra-transparent boost that goes from unity gain to a whooping 60 times the original size (watch out!), while adding a delightful high-end clarity with its 5 million ohm input impedance.\u003c\/p\u003e","brand":"Zvex","offers":[{"title":"Default Title","offer_id":49905308172600,"sku":"MAS-ZVEX-VX-SUPERHARD","price":319.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/zvex-sho-front-portrait.jpg?v=1743644077"},{"product_id":"milkman-the-amp-100","title":"Milkman The Amp 100","description":"\u003cp\u003eThe Amp 100 is the new high power addition to The Amp model line that set the standard for pedalboard sized tube\/Class D hybrid guitar amps in 2018. Maximum wattage has been increased to 100w and an integrated FET boost circuit and dual control reverb has been added. A black finish with Walnut end panels and silver knobs completes the new look.\u003c\/p\u003e\n\u003cp\u003eIn the Amp 100, an internal FET boost starts at unity gain and can work as an 'always on' EQ sweetener, subtly boosting midrange frequencies, or as a powerful drive pushing the 12AX7 tube into full saturation. The boost sits between the triodes of the preamp tube. Placing the boost internally preserves interaction between the instrument input and the first tube stage, and also increases headroom so that The Amp 100 can still work well with external drive and boost pedals.\u003c\/p\u003e\n\u003cp\u003eThe Amp 100 has a dual control reverb system, adding a control for decay time as well as reverb blend. The decay control ranges from a short room like reverb sound to a full tank spring splash with classic drip.\u003c\/p\u003e\n\u003cp\u003eThe Amp 100 shares all of the great features of The Amp: a studio quality line output with cabinet simulation, pedal level output, headphone output and universal power.\u003c\/p\u003e\n\u003cp\u003eWATTAGE:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e50W 16ohm Output\u003c\/li\u003e\n\u003cli\u003e100W 8ohm Output\u003c\/li\u003e\n\u003cli\u003e200W 4ohm Output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eEFFECTS:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eReverb and internal 15dB FET boost\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Milkman","offers":[{"title":"Default Title","offer_id":49905308270904,"sku":"MAS-MILK-AMP100","price":1499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/milkman-theamp100-portrait-front.jpg?v=1743646247"},{"product_id":"milkman-f-stop-reverbtremolo-pedal","title":"Milkman F-Stop Reverb\/Tremolo Pedal","description":"\u003cp\u003eThe F-Stop brings two effects found in vintage American tube amplifiers into one pedal. The combination of a tube driven spring reverb with pulsating \"bias\" tremolo was first introduced in the early 1960s and has become a standard sound for guitar players and other instrumentalists ever since.\u003c\/p\u003e\n\n\u003cp\u003eThe F-Stop has been designed to bring classic tube amplifier effects into a small package that runs off of a 9VDC pedal power supply. Internally, the F-Stop has 18v of headroom so it can live as comfortably at the end of your signal chain as it does at the beginning. The spring portion of the pedal is digital, but the guitar signal path and tremolo circuit is 100% analog.\u003c\/p\u003e\n\n\u003cp\u003eThe sound of bias tremolo and spring reverb is unmistakable, and the F-Stop uses modern electronics to achieve an authentic recreation of these effects with similar circuit topography as found in tube amplifiers.\u003c\/p\u003e","brand":"Milkman","offers":[{"title":"Default Title","offer_id":49905308303672,"sku":"MAS-MILK-FSTOP","price":449.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/milkman-fstop-reverb-front-portrait.jpg?v=1743489927"},{"product_id":"benson-preamp-pedal","title":"Benson Preamp Pedal","description":"\u003cp\u003eBenson call this our Preamp because it is! The circuit is based on the our Chimera 30 watt guitar amplifier, but substitutes FET transistors for the vacuum tubes. The result is an extremely amp-like and versatile clean boost\/overdrive\/fuzz pedal that imparts rich harmonics and a very musical EQ to your signal chain…truly a Chimera in a box!\u003c\/p\u003e\n\u003cp\u003ePower requirements: 9VDC Boss style adapter or battery 50ma\u003c\/p\u003e\n\u003cp\u003eControls: Gain, Volume, Treble, Bass.\u003c\/p\u003e","brand":"Benson","offers":[{"title":"Normal","offer_id":49905308336440,"sku":"MAS-BEN-PRE","price":449.0,"currency_code":"AUD","in_stock":false},{"title":"Complicated","offer_id":49906034573624,"sku":"MAS-BEN-PRE-FANCY","price":449.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/benson-preamp-complicated-front-portrait.jpg?v=1743482231"},{"product_id":"greer-tomahawk-deluxe-overdrive","title":"Greer Tomahawk Deluxe Overdrive","description":"\u003cp\u003eThe Tomahawk Deluxe Drive is a great medium gain “second stage” overdrive pedal. This beauty barks and snarls, but it can also lean back and simply shift your tone just a bit. This pedal CAN RUN ON 9 AND 18 VOLTS. Now that we've addressed that, let's talk about some of the characteristics of this pedal. This pedal has a purposeful EQ shift that puts it squarely in the “tweed” type tonal range. At 9 volts, it compresses slightly, like the big box tweed amps do, but still has some stiffness to it, just like those wonderful tone boxes did. At 18 volts, this beauty has increased headroom, AND becomes a bit more stiff, in a lovely way. The Tomahawk is a touch sensitive, dynamic recreation of this classic sound that has a natural and instantly familiar drive texture found on classic albums from so many genres. Grab a tomahawk and add this classic American tone to your tonal palette.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\"Second stage\" Medium gain overdrive!\u003c\/li\u003e\n\u003cli\u003eSlight EQ shift into big box tweed style territory!\u003c\/li\u003e\n\u003cli\u003eCan be powered by 9 to 18 volts!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePower: 9-18 volt neg. center pin ONLY.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCurrent draw: ~10mA @ 9v.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Greer","offers":[{"title":"Polar White","offer_id":49905308369208,"sku":"MAS-GREER-THWK-WHT","price":369.0,"currency_code":"AUD","in_stock":false},{"title":"Hawk Blue","offer_id":51562769547576,"sku":"MAS-GREER-THWK","price":369.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/TOMAHAWK-hawkblue-hero.jpg?v=1767141664"},{"product_id":"benson-delay-guitar-pedal","title":"Benson Delay Guitar Pedal","description":"\u003cp\u003e\u003cstrong\u003eSOUND —\u003c\/strong\u003eDrawing inspiration from Benson's history in tape and bucket brigade echo servicing, Benson's design goal was creating floaty and colorful repeats with a chaotic yet musical degradation. That's the heart of the thing, the whole point.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eRANGE —\u003c\/strong\u003eWith a 30ms-1250ms range, the Benson delay goes fast enough to do chorus, vibrato and slapback, and slow enough to create blurred and haunted soundscapes, with a whole spectrum of warbly musical sounds in between.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eALIENS —\u003c\/strong\u003eHold down the tap knob to boost feedback for some self oscillation! Perfect for holding notes out, and especially for making alien invasion noises in tandem with the time knob (within a toe's reach). Works when the feedback knob is up a bit. Does not introduce unwanted clicking sounds into the signal path.  Adjustable via internal trim pot.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eWARBLE —\u003c\/strong\u003eThe Low Frequency Oscillator has a tremendous range of both speed and depth, as well as sine, square and random waveforms. Does warble, seasick, tape flutter, all the good sounds.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTAP —\u003c\/strong\u003eThe Benson Delay has the most accurate tap tempo ever applied to the PT2399 thanks to Bontempo, an open source technology concocted by Antoine Ricoux at Electric Canary, which was then refined and implemented by film colorist Octave Zangs (two geniuses). Each pedal CALIBRATES ITSELF IT'S SO COOL.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eSMOOTH —\u003c\/strong\u003eBenson wanted to avoid the more modern issues of delay design; like the digital jaggedness that can come from adjusting the time control on a digitally clocked device, whether analog or a fully digital simulation (HAS THIS EVER HAPPENED TO YOU?). In other words, let's not assume the aforementioned aliens have glitchy spaceships.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eWOW THE NARRATIVE\u003c\/strong\u003e \u0026amp;mdash ;\u003cbr\u003e\n“\u003ci\u003eThe design process was characteristically obsessive and obliquely dysfunctional, so we'll spare you most of it. Lots of bright people in the industry left their mark in one way or another. Special shout outs to Jack Deville, Bryan Sours and John Snyder. Lessee...after dutifully slogging through the modern bucket brigade scene for a while, Benson found their paradise in the form of the ubiquitous PT2399. Turns out, when you treat it well, you can get a great sounding delay with a massive range out of it.  They utilized a combination of gooey compander chip, analog filtering, and careful gain staging (amp designers are decent at that). They hope you love it.\u003c\/i\u003e”\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTHE MENU — \u003c\/strong\u003eTo access LFO waveform and tap division menu, hold down BYPASS for two seconds, then tap TAP\/ HOLD once. BYPASS switch toggles between SINE, SQUARE and RANDOM waveforms, which will blink 1, 2 or 3 times respectively. TAP\/HOLD switch toggles through QUARTER, DOTTED EIGHTH, and EIGHTH note tap divisions, and the LED will blink 1, 2 or 3 times (respectively). Hold down BYPASS for two seconds to exit MENU.\u003c\/p\u003e","brand":"Benson","offers":[{"title":"Default Title","offer_id":49905308401976,"sku":"MAS-BEN-DELAY","price":489.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/benson-delay-front-portrait.jpg?v=1743482087"},{"product_id":"zvex-vexter-instant-lofi-junky","title":"Zvex Vexter Instant LoFi Junky","description":"\u003cp\u003eThis pedal was designed to emulate the sounds and textures of the Lo-Fi Loop Junky™ in real time, but it goes far beyond that. Click it on and mix your sparkly clear compressed signal with the smashed, lo-fidelity warbled signal and listen to it become a luscious emulsification that can be blended to the most perfect depth. Achieve new haunting chorus sounds and pulsating vibrato. Unusual and fun, you've never heard anything quite like it.\u003c\/p\u003e","brand":"Zvex","offers":[{"title":"Default Title","offer_id":49905308434744,"sku":"MAS-ZVEX-VX-INSTANTLOFI","price":379.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/zvex-lofijunk-front-portrait.jpg?v=1743644329"},{"product_id":"zvex-fuzzolo-silicon-fuzz-pedal","title":"Zvex Fuzzolo SIlicon Fuzz Pedal","description":"\u003cp\u003eThe Fuzzolo is a raging beast of a fuzz. Zvex managed to squeeze this wild thing into a small box to save real estate on pedal boards (and because they could). The Fuzzolo has two controls: Volume (post gain), and Pulse Width. The Fuzzolo is equally devastating on guitar and bass.\u003c\/p\u003e","brand":"Zvex","offers":[{"title":"Default Title","offer_id":49905308500280,"sku":"MAS-ZVEX-VX-FUZZOLO","price":239.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/zvex-fuzzolo-portrait-front.jpg?v=1743644371"},{"product_id":"milkman-the-amp-50","title":"Milkman The Amp 50","description":"\u003cp\u003eWhat is The Amp? First and foremost, it's a 50W Guitar amplifier. The preamp is based around a single 12AX7 running at high voltage in a discrete Class A circuit. The tube preamp reacts with a guitar the same way any tube amplifier does: it generates harmonics and the sweet sounding high fidelity tone that tubes are known for. Along with tube EQ. there is on-board reverb and tremolo effects so that The Amp can be used as a grab and go amplifier. Foot switches for bypassing the effects are built in. A Class D power section delivers 50 watts into 8ohms, or 100 watts into 4ohms. The Speakon combination jack for speaker output takes either a standard 1\/4” connection or a locking Speakon connector for extra security.\u003c\/p\u003e\n\u003cp\u003eThe Amp has an integrated headphone amplifier which sounds identical to the output from a speaker. This is perfect for practice, auditioning pedals, or for those times when noise is not appropriate. The Amp can operate with no speaker attached so it can live on a pedalboard and go wherever the pedals go. Speaking of travel, The Amp has a universal IEC power input. It can run from 100 to 260 VAC. No matter where it is on Earth, it can be plugged into a wall socket and used with no need for additional power accessories.\u003c\/p\u003e\n\u003cp\u003eHow about a compact studio quality tube preamp? The internal XLR output delivers a balanced line level output. There is no modelling or simulation involved, no menus or presets to give option anxiety. It is very straightforward and simple to get great tone from the tube preamp of The Amp and use it as the front end for a modeling system, recording setup, or for playing direct on stage.\u003c\/p\u003e\n\u003cp\u003eThe Amp also has “pedal level” output where it can be used as the front end of a pedal board or as an amp like effect on the back end of a pedal board. There is no substitute for the marriage between a magnetic guitar pickup and the first stage of a tube amplifier, and this is something that is missing with modern pedal board setups. Using The Amp in front of a pedal chain will add harmonics and tube musicality to the entire signal chain starting right where it matters most: between a guitar pickup and the grid of a tube.\u003c\/p\u003e\n\u003cp\u003eUsing The Amp further down the signal chain creates unique tonal possibilities. It plays well with pedals, and it can add extra EQ or reverb to an existing amplifier. The Amp can drive the input of an amplifier as an extra tube gain stage. It can be a backup for a vintage amp needing service, or used in place of anemic backline gear on your travel gig. At 2.5lbs, and with so many different uses, The Amp may be your new best friend.\u003c\/p\u003e\n\u003cp\u003eWATTAGE:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e25W 16ohm Output\u003c\/li\u003e\n\u003cli\u003e50W 8ohm Output\u003c\/li\u003e\n\u003cli\u003e100W 4ohm Output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eEFFECTS:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eReverb and Tremolo\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Milkman","offers":[{"title":"Default Title","offer_id":49905308565816,"sku":"MAS-MILK-AMP50","price":1339.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/milkman-theamp50-portrait-front.jpg?v=1743646328"},{"product_id":"benson-deep-sea-diver-pedal","title":"Benson Deep Sea Diver Pedal","description":"\u003cp\u003eOver the last 3 (!) years, Benson have been working with their long time friend and associate Jessica Dobson from the Seattle band Deep Sea Diver to take her signature sound (fuzz and delay) and put it into one box. They started with a silicon three-transistor fuzz variant (kind of a deranged mashup of mk1.5 and mk2) and tweaked it into oblivion. Its two main controls (bias and gate) cover a wide range of sounds from aggressive treble booster to thick, dark textured fuzz to the gated skronky sounds often found in the Deep Sea Diver discography. These controls are interactive and change the EQ and distortion profile with even small tweaks...a lot of fun to be had!\u003c\/p\u003e\n\u003cp\u003eThe echo is from a tweaked data-sheet PT2399 that is perfectly tuned to the fuzz side and has the standard time, feedback and level (echo) controls. Holding down the footswitch will send the echo into sustained feedback at some settings, which, in conjunction with a short delay time, is a sound that can be found all over DSD records. We recommend holding this down....whenever.\u003c\/p\u003e\n\u003cp\u003eOne unique feature of the Fuzz-Echo is the ability to change the fuzz and echo orders...this is done by powering the pedal on while the footswitch is depressed. The LED will be green if fuzz is before echo, and orange if echo is before fuzz (this is our favourite)\u003c\/p\u003e\n\u003cp\u003eThe Fuzz-Echo does not care where it is in the signal chain, or what guitar (or bass! or synth!) is used. It will have a small amount of hiss, even on “cleaner” settings. If you find yourself thinking about the hiss, our advice is to play a guitar solo instead!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER SUPPLY:\u003c\/strong\u003e This pedal is for use only with a 9vdc Boss style center negative power supply...There is no battery. Please do not subject this pedal to more than 9vdc or the pedal or power supply could be destroyed. This pedal draws less than 100ma and will work well with most supplies.\u003c\/p\u003e","brand":"Benson","offers":[{"title":"Default Title","offer_id":49905308598584,"sku":"MAS-BEN-DEEPSEA","price":449.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/benson-deepseadiver-front-portrait.jpg?v=1743481776"},{"product_id":"zvex-vexter-usa-59-sound-vertical-preamp-pedal","title":"Zvex Vexter USA 59 Sound Vertical Preamp Pedal","description":"\u003cp\u003eThe '59 Sound is based on the legendary 1959 Tweed Fender Bassman. The '59 Sound captures the essence of that magical amplifier.\u003c\/p\u003e\n\n\u003cp\u003eI've never really liked the sound of distorted Fender amps (this is Zack pontificating) except for my earliest amp, a blonde Fender Bassman with a 2X12 cab that just rip roared pure tinnitus joy. But there is one Fender that blows that one completely away, and that's a '59 Bassman. I guess the way it affected Jim Marshall was similar, back in the 60s, because he used it as the template for the first Marshall amps. So it's not out of the realm of possibility to imagine that the ZVEX Box of Rock, which accurately models the Marshall JTM45 amps, could be modded to sound like a '59 Bassman. Tommy Rehbein, our customer service specialist, tackled this particular concept and listened closely to a '59 Bassman for a few days and tweaked components in our BOR until he got that magical '59 Sound worked out. Check out the video and see if this is a sound you've been searching for. It's pretty amazing, especially when you use your guitar's volume control to explore it's wide range of textures.\u003c\/p\u003e","brand":"Zvex","offers":[{"title":"Default Title","offer_id":49905308631352,"sku":"MAS-ZVEX-VX-VERT59SOUND","price":359.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/zvex-vert59sound-portrait-front.jpg?v=1743644568"},{"product_id":"zvex-vexter-distortron","title":"Zvex Vexter Distortron","description":"\u003cp\u003eThis pedal is a modified version of our Box of Rock's Distortron Engine. The improvements include a gain boost switch for added sizzle and a sub control switch with 3 levels. The amounts were carefully selected to reduce “flubbiness” that occurs when using amps with heavy low-end response. It would be immodest of me to suggest that this ZVEX effect is the greatest distortion pedal of all time,  but it probably is. Try it last in your chain, and beat it up with your other effects... it stacks like a dream.\u003c\/p\u003e","brand":"Zvex","offers":[{"title":"Default Title","offer_id":49905308696888,"sku":"MAS-ZVEX-VX-DISTORTRON","price":279.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/zvex-vexter-distortron-portrait-front.jpg?v=1743644620"},{"product_id":"zvex-vexter-double-rock-overdrive-pedal","title":"Zvex Vexter Double Rock Overdrive Pedal","description":"\u003cp\u003eThis pedal was originally designed for J.Mascis. He requested two Box of Rock™ pedals in one box with two stomp switches. He uses it regularly now, but we did one (or two) better with the one we're releasing to the public... we made it so you can adjust the sub frequencies (like the Distortron), and you can convert either channel to a Super Hard-On™. In this way, you can configure the pedal to be two Distortrons cascaded, two Super Hard-Ons cascaded (like a Super Duper 2-in-1), or a Box of Rock with boost, or a Super Hard-On going into a Box of Rock. Distortion\/boost heaven!\u003c\/p\u003e","brand":"Zvex","offers":[{"title":"Default Title","offer_id":49905308762424,"sku":"MAS-ZVEX-VX-DOUBLEROCK","price":399.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/zvex-doublerock-vexter-portrait-front.jpg?v=1743644743"},{"product_id":"zvex-vexter-fuzz-factory","title":"Zvex Vexter Fuzz Factory","description":"\u003cp\u003ePacked with knobs that let you control everything from tight, radically fuzzy sounds that gate off instantly when you stop playing, to intermodulating oscillations that fight for control of your guitar as your notes decay, to shortwave radio sounds, ripping velcro and octave-like fuzz. Includes an on\/off LED and center-negative DC power jack.\u003c\/p\u003e","brand":"Zvex","offers":[{"title":"Default Title","offer_id":49905308795192,"sku":"MAS-ZVEX-VX-FUZZFACT","price":319.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/zvex-fuzzfactory-vexter-portrait-front.jpg?v=1743644878"},{"product_id":"zvex-vexter-basstortion","title":"Zvex Vexter Basstortion","description":"\u003cp\u003eThis is Zvex's take on capturing what is arguably the first and last word in all tube amp distortion for bass. The debate always starts and ends with the Ampeg SVT™. The harder you dig the more it growls. The connection between your hands and that kind of natural tube distortion is primal, immediate, powerful, and musical.\u003c\/p\u003e","brand":"Zvex","offers":[{"title":"Default Title","offer_id":49905308991800,"sku":"MAS-ZVEX-VX-BASSTORTION","price":349.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/zvex-basstortion-vexter-portrait-front.jpg?v=1743647065"},{"product_id":"benson-stonk-box-drive-pedal","title":"Benson Stonk Box Drive Pedal","description":"\u003cp\u003eTHE BASICS — The Stonk Box is our second Automatic Thermally Bias fuzz pedal, so after plugging it into power (9vdc only), it will take 2-3 minutes on average to sound correct. The color of the LED indicator light might change. \u003cstrong\u003eDon't turn the internal trimmer.\u003c\/strong\u003e THAT'S IT. Read on if you would like to...there's some good stuff.\u003c\/p\u003e\n\u003cp\u003eSUMMARY — Like the Germanium Fuzz before it, the Stonk Box attempts to take a classic 1960's fuzz design, and bring the sound into the modern world without bringing along any of the flaws and inconsistencies of the original. In this case, Benson set our eyes on the MK1 fuzz (which is itself a modified version of the very first fuzz ever). Benson kept the original controls (FILTER and VOLUME), and added a TONE control and a TRIM control to expand the palette of sounds available. Buffer and pedal order friendly (but with no pickup simulation, Benson had to tweak the output circuit this time). The original circuit is considered one of the hardest of the classic fuzzes to get right because of the difficulty in transistor selection...with Benson's patented technology they can do it easily and consistently...for the first time ever!\u003c\/p\u003e\n\u003cp\u003eAUTOMATIC THERMAL BIAS TECHNOLOGY — The bias of the transistors in this pedal is automatically regulated by a circuit that GENTLY warms the Germanium transistors (2N404 OR 2N527) to a preset operating point using analog components, and ensures a consistent sound, no matter the external temperature. When the LED is amber, the transistors are warming up to increase their hFE (transistor gain) and to shift the bias point to the correct voltage. When the LED turns green, the warmer is off because the correct bias and hFE have been set. Expect the LED to toggle back and forth every so often while the pedal is on...that is how you know its working. The heaters will warm the transistors enough to still be effective on a summer stage, but far cooler than anything that would harm the transistors. This pedal is designed to operate between freezing and 100F but might still sound fine outside this range....up to about 120F where we've found germanium straight up ceases to function...which can happen if it's left in the sun.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCONTROLS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTRIM is a gain control right before the two amplifying germanium transistors...turned all the way up is how the stock design is all the time.\u003c\/li\u003e\n\u003cli\u003eFILTER manipulates both the gain and the bias point of the first gain stage. When turned down it will take away gain, bass frequency response, and will bring in to a gentle dynamic expander type effect (where quiet notes will be quieter than normal, the opposite of a compressor) TRIM and FILTER are interactive and there are many different flavors of fuzz and distortion to dial in. This pedal will not clean all the way up, even at low trim volumes there will be some distortion (in a nice way). This control will crackle a bit when turned, since there is some DC across it.\u003c\/li\u003e\n\u003cli\u003eTONE is a low pass filter at the end of the circuit, carefully designed to act almost like a tilt EQ to balance the bright attack and full body of the sound, made possible by the original circuit being WAY brighter than the bypassed guitar signal...Benson think they've struck a good balance here.\u003c\/li\u003e\n\u003cli\u003eVOLUME is the output level...which they've increased many orders of magnitude from the original. Benson took the training wheels off so you can push the front end of your amp into sonic madness (if you want). NOTE: this user-beware approch can also lead to settings with a high noise floor. Please remember, this is a crazy and primitive fuzz at its heart...not a piece of pristine recording equipment. Let's just say there were good reasons for the next four historic revisions of this particular product. If you are concerning people with a high level of hiss and noise, that's a feature not a bug. It's fuzz.\u003c\/li\u003e\n\u003cli\u003eINTERNAL TRIMMER —\u003cstrong\u003ePlease don't turn the internal trimmer. \u003cu\u003eIt is precisely set at the factory.\u003c\/u\u003e Turning the trimmer voids the warranty. \u003c\/strong\u003eThe correct trimmer position is marked in case you get one used where a tone lord hath already turnt it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER SUPPLY:\u003c\/strong\u003e This pedal is for use only with a 9vdc Boss style center negative power supply...There is no battery. Please do not subject this pedal to more than 9vdc or the pedal or power supply could be destroyed. This pedal draws less than 100ma and will work well with most supplies.\u003c\/p\u003e","brand":"Benson","offers":[{"title":"Default Title","offer_id":49905309090104,"sku":"MAS-BEN-STONK","price":489.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/benson-stonk-box-front-portrait.jpg?v=1743481708"},{"product_id":"greer-black-mountain-guitar-pedal","title":"Greer Black Mountain Guitar Pedal","description":"\u003cp\u003eLooming large, like the towering behemoths of full stacks of yore, the Black Mountain Crunch Drive roars to life, bringing new dimensions of vintage tone to guitarists (and bass players, too!). This new crunch based drive is rooted in a tone quest for the sound of one particular recording of a crunchy British amp, but it has flexibility beyond just that sound. From simply adding crunch, to getting that famous midrange snarl and growl of those metal panel amps that came out just after the plexi era, the Black Mountain Crunch Drive gives up the goods in a way that has a natural, amp like crunch to it. This circuit was inspired by many conversations with many friends, and developed with The Darkness' album Permission to Land blasting in the background…it'll get ya there, if you want it to. The two clipping diodes responsible for the drive in this circuit are purposefully imbalanced, selected to impart the proper texture and crunch for this circuit.\u003c\/p\u003e\n\n\u003cp\u003eThe Black Mountain requires a standard negative center 2.1mm power supply, and can run off of anything from nine to eighteen volts DC.\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003eGiant stack based CRUNCH drive!\u003c\/li\u003e\n\u003cli\u003eMidrange snarl and texture like giant old stacks of yore!\u003c\/li\u003e\n\u003cli\u003eCan be powered by 9 to 18 volts!\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePower:  9-18 volt neg. center pin ONLY.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCurrent draw:  10mA @ 9v.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Greer","offers":[{"title":"Default Title","offer_id":49905309122872,"sku":"MAS-GREER-BLKMTN","price":369.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/greer-blackmountain-front-portrait.jpg?v=1743490467"},{"product_id":"zvex-vexter-mastotron-silicon-fuzz","title":"Zvex Vexter Mastotron Silicon Fuzz","description":"\u003cp\u003eA sub-heavy silicon fuzz with some new twists: An input impedance control (push\/relax) that adjusts from passive pickups to line level. It works very well for re-amping bass tracks that need to be fuzzed up after tracking and keyboards. There's also a three-position sub control switch, a treble tone control, adjustable pulse width, and a wide fuzz depth control. More flexible than any silicon fuzz to date.\u003c\/p\u003e","brand":"Zvex","offers":[{"title":"Default Title","offer_id":49905309155640,"sku":"MAS-ZVEX-VX-MASTOTRON","price":279.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/zvex-mastotron-vexter-front-portrait.jpg?v=1743645277"},{"product_id":"zvex-vexter-box-of-rock","title":"Zvex Vexter Box of Rock","description":"\u003cp\u003eThis Box of Rock™ simulates Zachary's favourite amp turned up all the way, a 1966 Marshall® JTM45. The tone control adjusts brightness and there's a high-headroom low-noise boost.\u003c\/p\u003e","brand":"Zvex","offers":[{"title":"Default Title","offer_id":49905309188408,"sku":"MAS-ZVEX-VX-BOXROCK","price":349.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/zvex-boxofrock-vexter-front-portrait.jpg?v=1743645353"},{"product_id":"milkman-poptop-boost-pedal","title":"Milkman PopTop Boost Pedal","description":"\u003cp\u003eThe new Pop Top Boost from Milkman Sound takes its inspiration from the classic American recording consoles of the 1970s. We designed a discrete Op Amp which fits the standard 2520 footprint and put it into a modern pedal enclosure for use with guitar or any other instrument that uses 1\/4” phone connectors.\u003c\/p\u003e\n\n\u003cp\u003eThe Pop Top takes power from a common 9V centre negative pedal power supply and converts it to 36V of internal headroom (that's more than a tube has!). This unusually large amount of headroom has many practical uses ranging from a 30dB clean signal boost, a unity gain buffer with midrange focusing detail, or a line driver.\u003c\/p\u003e\n\n\u003cp\u003eMilkman designed the Pop Top to run at “unity gain” with the control set at zero. At unity you can hear the discrete op amp colour and find a sweet spot without dropping any signal. There is enough headroom inside to use the Pop Top at the very end of a pedal chain even in tandem with other gain and boost pedals.\u003c\/p\u003e\n\n\u003cp\u003eAs a preamp, the Pop Top can enhance the subtle details of the source in the same way that a microphone preamp in a classic American recording console would. In the 1970s discrete op amps were designed to be used at the input and output stage to both preserve detail and slam magnetic tape with as much signal as was necessary to capture the sound. The Pop Top is designed to inspire some of that same magic and creativity from the world of classic record production but in a much more guitar friendly package.\u003c\/p\u003e","brand":"Milkman","offers":[{"title":"Default Title","offer_id":49905309221176,"sku":"MAS-MILK-POPTOP","price":419.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/milkman-poptop-front-portrait.jpg?v=1743489032"},{"product_id":"benson-germanium-preamp-pedal","title":"Benson Germanium Preamp Pedal","description":"\u003cp\u003eThis pedal is based on the now famous amp-in-a-box Preamp pedal with one important tweak: the replacement of the first FET transistor with a germanium gain stage - stolen from the servo-biased Germanium Boost pedal which is ideal as a versatile gain stage since it reliably imparts a germanium tonality, mostly doesn't care about temperature, and doesn't affect frequency response. The result is an alternate universe take on our flagship pedal that marries the incomparable feel of the germanium with the careful equalization and tone controls of the preamp pedal.\u003c\/p\u003e\n\u003cp\u003eThe result is a slightly lower gain, but richer sounding and feeling overdrive\/boost\/fuzz\/whatever Benson really, really dig. We hope you like it!\u003c\/p\u003e\n\u003cp\u003eBeware: Germanium stops passing music at 120 Degrees Farenheit (like a very hot stage)\u003c\/p\u003e\n\u003cp\u003ePower Requirements: 9VDC Boss style adapter or battery 50ma\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGain (distortion)\u003c\/li\u003e\n\u003cli\u003eTreble (low pass filter)\u003c\/li\u003e\n\u003cli\u003eBass (high pass filter)\u003c\/li\u003e\n\u003cli\u003eVolume\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Benson","offers":[{"title":"Default Title","offer_id":49905309286712,"sku":"MAS-BEN-GEPRE","price":469.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/benson-germanium-preamp-front-portrait.jpg?v=1743481480"},{"product_id":"greer-lightspeed-guitar-pedal","title":"Greer Lightspeed Organic Overdrive Pedal (Various)","description":"\u003cp\u003eThe Lightspeed Organic Overdrive is a very natural sounding overdrive. Why \"organic\"? Well, simply put, it's the clearest, most natural feeling, and best overdrive we've heard for the player looking for a natural drive tone. Blending with the tone of the guitar and amplifier, this pedal has rich harmonics and complex but smooth clipping. The Lightspeed Overdrive is sensitive to pick attack and has a different \"feel\" than other overdrives. The Lightspeed can be set to be \"transparent,\" but can also drive your signal to the edge.\u003c\/p\u003e\n\u003cp\u003eOn tour with Peter Stroud (Sheryl Crow, and others), Alex Weeden (Miranda Lambert), Drew Shirley (Switchfoot), J.B. Brisendine (Brother Hawk), Casey Meyer (Jim Quick and Coastline), Jason \"JJ Boogie\" Reichert (Arrested Development), James Duke, Matt Goldman (Glow in the Dark Studios), JR Mead (Kutless), Jordan Peters (Lauryn Hill), and more!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNatural light to mild overdrive!\u003c\/li\u003e\n\u003cli\u003eRich harmonics, smooth clipping!\u003c\/li\u003e\n\u003cli\u003eCan be set to sound like original signal (what some call \"transparent\")!\u003c\/li\u003e\n\u003cli\u003eTrue Bypass!\u003c\/li\u003e\n\u003cli\u003eUses 9-Volt battery or standard neg. center, 2.1mm power supply.\u003c\/li\u003e\n\u003cli\u003eBuilt with top quality components!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePower: 9-18 volt neg. center pin ONLY.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCurrent draw: 11mA @ 9v.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Greer","offers":[{"title":"Blue","offer_id":49905309483320,"sku":"MAS-GREER-LIGHTSPEED-BLU","price":409.0,"currency_code":"AUD","in_stock":false},{"title":"Gameday Black","offer_id":52362910695736,"sku":"MAS-GREER-LIGHTSPEED-GDB","price":409.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/greer-lightspeed-front-portrait.jpg?v=1743490039"},{"product_id":"benson-amps-x-non-human-audio-florist","title":"Benson Amps x Non-human Audio Florist","description":"\u003cp\u003eIn late 2023 Benson met Dave Jordan of Non-Human Audio at a pedal event in OKC, drooling over his unique Slow Loris modulated slap back effect and very excited to meet. Chris and Dave were chatting about the Loris and Chris wound up offering to help him get the effect in a different and possibly more controllable way…mostly because it sounded fun.\u003c\/p\u003e\n\u003cp\u003eFast forward a couple swapped schematics and a few wild tangents and the Florist was born. Both were so inspired with the possibilities of the new approach that Dave suggested to keep pushing it into new territory and release it as a collaboration.\u003c\/p\u003e\n\u003cp\u003eWhile the Florist starts with the core idea of the Slow Loris, it is something else entirely and is not a revision or modification of the original. For instance, the delay range on the Florist is way faster than the original. Benson also redesigned the signal path for higher fidelity, and use a compressor type detector circuit for controlling the delay speed. We add a second delay channel using its own different detector to try to achieve some through-zero flanging and tri-chorus sounds. The two wet signals and the dry signal have independent volume control (DRY, WET A, and WET B) to blend the signals together. The two wet signals have independent intensity controls (INTENSITY A and INTENSITY B) corresponding to the respective volume controls.\u003c\/p\u003e\n\u003cp\u003eFinally, Benson add a latching footswitch feature called GHOSTS which creates feedback right on the verge of oscillation in both of the delay lines, leading to some very odd sounds. The result is a versatile effects box that yields both borderline conventional sounds (it can sound great as a chorus or slapback) and a vast array of weirder sounds that defy categories... flanging, modulated reverb, notes flying everywhere in unpredictable ways, swirling high frequency sighs etc. It’s so weird and unique that it creates a scene whenever people try it out for the first time.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\"We are especially excited to see how people apply it to music production...vocals and drums and synths...the possibilities seem wild and endless.\"\u003c\/i\u003e\u003c\/p\u003e","brand":"Benson","offers":[{"title":"Default Title","offer_id":49906013405496,"sku":"MAS-BEN-FLORIST","price":469.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/benson-florist-front-portrait.jpg?v=1743480413"},{"product_id":"benson-germanium-fuzz-pedal","title":"Benson Germanium Fuzz Pedal","description":"\u003cp\u003e\u003cstrong\u003eTHE BASICS —\u003c\/strong\u003e The Germanium Fuzz is a fuzz pedal. The knobs change the sounds. IMPORTANT: after plugging it into power (9vdc only), it will take 2-3 minutes on average to sound correct. Good time to tune your guitar and grab a beverage. The color of the LED indicator light might change. Don't turn the internal trimmer. THAT'S IT. Read on only if you want some excellent primary source material for an online fuzz thesis...\u003c\/p\u003e\n\u003cp\u003eThis pedal is designed around two germanium 2N527 OR 2N404 Germanium Transistors. They have been graded for gain and leakage and carefully matched to sound their best. They are set up in the ubiquitous 60's circular fuzz topology, and tuned for good sound, and include some additional oddities aimed at solving the issues that prevent more widespread use of Germanium devices... detailed below.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE FIRST FUZZ PEDAL WITH AUTOMATIC THERMAL BIAS TECHNOLOGY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe bias of the transistors in this pedal is automatically regulated by a circuit that GENTLY warms the transistors to a preset operating point using analog components, and ensures a consistent sound, no matter the external temperature. When the LED is orange, the transistors are warming up to increase their hFE (transistor gain) and to shift the bias point to the correct voltage. When the LED turns green, the warmer is off because the correct bias and hFE have been set. Expect the LED to toggle back and forth every so often while the pedal is on…that is how you know its working. The heaters will warm the transistors enough to still be effective on a sunny stage, but far cooler than anything that would harm the transistors. This pedal is designed to operate between freezing and 100˚F but might still sound fine outside this range. There are two colors: Studio Black is not meant for direct sunlight, Solar White is fine with it. We have found there is a 20˚F difference between a black pedal and a white pedal in direct sunlight.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINPUT IMPEDANCE —\u003c\/strong\u003e The low input impedance of the classic two transistor germanium fuzz circuit is both a blessing and a curse….a blessing because it can yield a tight sparkly clean tone when guitar volume is rolled down, and a curse because it sounds nasty (in a bad way) if there are buffers or pedals before it in a signal chain. Benson went to some extremes to keep the blessing and lose the curse.\u003c\/p\u003e\n\u003cp\u003eBenson installed a class A buffer in the very input of the Germanium Fuzz. This buffer feeds a Jack Orman style passive pickup simulator circuit (an audio transformer set up as an inductor, a resistor, and a capacitor). These two additions make compatibility with other pedals possible without losing the desired sound. After the pickup simulator circuit, they've added an “Impedance” control, which simulates rolling down the guitar volume to get that tight sparkly sound…without adjusting your guitar volume….which you can still do and still sounds great.\u003c\/p\u003e\n\u003cp\u003eGAIN RANGE — The circuit has been tuned to be used as a rich sounding clean boost, an overdrive, all the way up to an aggressive fuzz with some octave overtones. It will sound different, and I think more useful, than the classic versions. There are many colors of tone available with the impedance and gain controls…they are very interactive. This is meant as a “pretty” fuzz a la 60's-70's classic rock\/psychedelic rock. It is not a spitty, harsh experimental fuzz and more often sounds like an overdrive or distortion until the gain is turned all the way up, and the impedance is turned down.\u003c\/p\u003e\n\u003cp\u003eINTERNAL TRIMMER — Please don't turn the internal trimmer. It is precisely set at our factory. Turning the trimmer voids the warranty. The correct trimmer position is marked in case you get one used where a tone lord hath already turnt it.\u003c\/p\u003e\n\u003cp\u003ePOWER SUPPLY — This pedal is for use only with a 9vdc Boss syle center negative power supply...There is no battery. Please do not subject this pedal to more than 9vdc or the pedal or power supply could be destroyed. This pedal draws less than 100ma when the heater is engaged, and far less than that when it is off. It will pull those 100ma instantaneously, which most power supplies have no issue with. With substandard or non standard power supplies it is possible the pedal will start oscillating madly at the heater threshhold, where the LED changes, in which case may we suggest using a current doubler cable, or switching to a higher rated power output.\u003c\/p\u003e\n\u003cp\u003eWARRANTY INFORMATION: 2 years excluding modification, trim pot manipulation, or damage.\u003c\/p\u003e","brand":"Benson","offers":[{"title":"Black","offer_id":49906044600632,"sku":"MAS-BEN-GERFUZZ-BK","price":529.0,"currency_code":"AUD","in_stock":true},{"title":"White","offer_id":49906044633400,"sku":"MAS-BEN-GERFUZZ-WH","price":529.0,"currency_code":"AUD","in_stock":true},{"title":"Gold","offer_id":49906044666168,"sku":"MAS-BEN-GERFUZZ-GD","price":529.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/benson-germanium-gold-front-portrait_60d046c1-b34f-475d-ac58-162b8b26f3bb.jpg?v=1743480062"},{"product_id":"electronic-audio-experiments-surveyor","title":"Electronic Audio Experiments Surveyor","description":"\u003cp\u003eThe Electronic Audio Experiments Surveyor is a compact re-interpretation of the Instrument Voicing Preamp (aka IVP), a cult classic and long discontinued rackmount preamplifier. The IVP is best known for its distinctively clangy tone and harsh attack at high treble settings—especially in conjunction with an aluminum neck guitar, single coil pickups, and full range speakers—but its unique solid-state voice transcends genre labels.\u003c\/p\u003e\n\u003cp\u003eThe Surveyor features a unique, transformer-loaded “Tube Voice” distortion generator that is highly responsive to the frequency content of the input signal. This is achieved by placing a two-band shelving EQ before distortion is applied—the complete opposite of most drive pedals. Using this method, gain may be selectively applied to a specific frequency band: boost the treble for that signature clang, or maximize the bass for fuzz overload. This variety of saturated textures isn’t just for guitar, either! The Surveyor is equally at home on bass, synthesizers, drum machines, even vocals.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLevel: overall volume, with more than enough range for line level output or to overdrive the next thing in your signal path\u003c\/li\u003e\n\u003cli\u003eGain: amount of overdrive\/saturation equally applied to all frequencies; highly interactive with the Bass and Treble settings\u003c\/li\u003e\n\u003cli\u003eBass: pre-clipping low shelf boost\/cut, +\/-12dB @ 100Hz\u003c\/li\u003e\n\u003cli\u003eTreble: pre-clipping high shelf boost\/cut, +\/-12dB @ 3KHz\u003c\/li\u003e\n\u003cli\u003eHi\/Lo (switch): sets the range of the gain control, +0dB in the Lo position and +14dB in the Hi position\u003c\/li\u003e\n\u003cli\u003eSize\/Weight:121mm x 66mm x 40mm, 0.4kg\u003c\/li\u003e\n\u003cli\u003eBypass:Relay switching with true bypass\u003c\/li\u003e\n\u003cli\u003eInput impedance @ 1 Khz: 1MΩ\u003c\/li\u003e\n\u003cli\u003eOutput impedance @ 1 Khz: \u0026lt;1kΩ\u003c\/li\u003e\n\u003cli\u003ePower: 9V DC, 2.1 mm center negative barrel. The current draw is 70 mA.\u003c\/li\u003e\n\u003cli\u003eWe recommend a regulated, isolated power supply rated for 100 mA minimum. The PSU input is protected against reverse polarity and over-voltage up to 24V. \u003cstrong\u003e\u003cu\u003eEAE pedals do not accept batteries.\u003c\/u\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChangelog: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eV2.5 (Spring 2024)\u003c\/strong\u003e\u003cbr\u003e- Minor electrical adjustments\u003cbr\u003e- Simplified bypass circuitry to remove microcontroller\u003cbr\u003e- Minor artwork\/print adjustments\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eV2-V2.4 (2021-2022, incremental changes)\u003c\/strong\u003e\u003cbr\u003e- New mechanical format (changed enclosure shape, knob spacing, jacks, etc)\u003cbr\u003e- Added power supply over-voltage shutdown circuit and ESD protection\u003cbr\u003e- Added Hi\/Lo toggle to increase gain range\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eV1\u003c\/strong\u003e\u003cbr\u003e- Original release\u003c\/p\u003e","brand":"Electronic Audio Experiments","offers":[{"title":"Default Title","offer_id":50055145161016,"sku":"MAS-EAE-SURVEY","price":409.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/EAE_Surveyor_STOCK_1-copy.jpg?v=1744703967"},{"product_id":"electronic-audio-experiments-dagger","title":"Electronic Audio Experiments Dagger","description":"\u003cp\u003eThe Electronic Audio Experiments Dagger is a simplified and miniaturized iteration of EAE's Longsword op amp drive. They've streamlined the circuit into its core gain stages and dual band shelving EQ, for the ideal match of simplicity and flexibility.\u003c\/p\u003e\n\u003cp\u003eThe process of editorializing the Longsword circuit let EAE rexamine the quirks and unique rough edges of earlier versions. In particular, they've noticed that at higher gain settings, the EQ can be used to further overdrive the output stage for extra fuzzy tones. While not a traditional use case, we fell back in love with that sound and incorporated those design elements into the Dagger. In addition to being a great fit for smaller pedal boards, the Dagger also stands on its own as a unique drive pedal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVolume: output volume, self explanatory\u003c\/li\u003e\n\u003cli\u003eDrive: turn clockwise to increase the amount of overdrive\u003c\/li\u003e\n\u003cli\u003eLow\/High: James\/Baxandall tone stack (shelving filters)\u003c\/li\u003e\n\u003cli\u003eShift (toggle): Adjusts the low frequency contour. Up produces a thicker sound, and down produces a tighter sound.\u003c\/li\u003e\n\u003cli\u003eBypass: Relay switching with true bypass\u003c\/li\u003e\n\u003cli\u003eInput impedance @ 1 Khz: 500kΩ\u003c\/li\u003e\n\u003cli\u003eOutput impedance @ 1 Khz: \u0026lt;25K (passive volume control)\u003c\/li\u003e\n\u003cli\u003ePower: 9-18V DC, 2.1 mm center negative barrel. The current draw is 50 mA.\u003c\/li\u003e\n\u003cli\u003eWe recommend a regulated, isolated power supply rated for 100 mA minimum. The PSU input is protected against reverse polarity. The Dagger can be operated at 18V for more headroom and clarity.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Electronic Audio Experiments","offers":[{"title":"Default Title","offer_id":50055146078520,"sku":"MAS-EAE-DAGRV2","price":379.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/eae-dagrv2-Dagger_1.jpg?v=1744767894"},{"product_id":"electronic-audio-experiments-0xeae-boost","title":"Electronic Audio Experiments 0xEAE Boost","description":"\u003cp\u003eThe 0xEAE Boost is the first entry in a new pedal series developed in conjunction with the design collective Obstructures.\u003c\/p\u003e\n\u003cp\u003eThe 0xEAE collaboration began as an indestructible enclosure created in the distinct, utilitarian-yet-elevated visual language of Obstructures, culminating in a neo-brutalist homage to the iconic sloped fuzz enclosures of the 60s and 70s.\u003c\/p\u003e\n\u003cp\u003eThe exterior physical design and EAE's shared affinity for noise rock informed the intent of the circuitry within: a versatile signal boost\/overdrive with the potential for a razor-sharp treble response and excessively high output levels. The circuit itself is comprised of a discrete op amp gain stage with a treble boost in front, forming a densely textured upper midrange character laden with higher order intermodulation products. A mix of active and passive tone controls allows for dramatic alterations in sonic character. We also took extreme measures to engineer a high-quality power supply that is fully protected from excessive voltage, improper setup, and external interference.\u003c\/p\u003e\n\u003cp\u003eThe end result is an object that is maximally robust, designed for a lifetime on the road, on stage, and in the studio\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMaster: Output volume level. Ranges from -∞ dBu to an excess of +20 dBu. (Use judiciously.)\u003c\/li\u003e\n\u003cli\u003eFilter: Passive, variable frequency low pass filter. Slide right to cut high frequencies. Cutoff frequency ranges from outside the audio range at minimum to 480Hz at maximum.\u003c\/li\u003e\n\u003cli\u003eGain: Primary gain stage. Adjustable from approximately +26 dB to +46 dB. Slide right to increase gain.\u003c\/li\u003e\n\u003cli\u003eFocus: Input treble boost. Ranges from +0 dB to +26 dB for high mid frequencies. Slide right to add saturation and harshness.\u003c\/li\u003e\n\u003cli\u003eFootswitch: Effect activator.\u003c\/li\u003e\n\u003cli\u003eBypass: Relay switching with op amp buffered bypass; red\/green LED indicator. (Note: alternate firmware with traditional on\/off action is available upon request.)\u003c\/li\u003e\n\u003cli\u003eInput impedance @ 1 Khz: 2.2MΩ\u003c\/li\u003e\n\u003cli\u003eOutput impedance @ 1 Khz: \u0026lt;1kΩ\u003c\/li\u003e\n\u003cli\u003ePower: 9V DC, 2.1 mm center negative barrel. The current draw when active is 120 mA. We recommend a regulated, isolated power supply rated for 200 mA minimum. The PSU input is protected against reverse polarity and over-voltage. EAE's pedals do not accept batteries.\u003c\/li\u003e\n\u003cli\u003eDimensions: 6.75” x 3.5” x 2”\u003c\/li\u003e\n\u003cli\u003eWeight: 1.5 lbs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Electronic Audio Experiments","offers":[{"title":"Default Title","offer_id":50055146799416,"sku":"MAS-0xEAE-BOOST","price":549.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/eae-oxeae-boost-OxEAE_Boost_STOCK_1.jpg?v=1744703973"},{"product_id":"electronic-audio-experiments-the-bard","title":"Electronic Audio Experiments The Bard","description":"\u003cp\u003eThe Bard is an homage to one of EAE's favourite misunderstood amplifiers of the past: the Music Man HD130. Manufactured from 1974 to 1984, these amps combined a solid state preamp with a tube power amp, an unusual choice that lead to them being gravely underrated in their time. But the HD130 and its siblings are some of EAE's favourite amps thanks to their pristine (but not quite vintage) clean tones, trashy overdrive, and very wide frequency response that suits both guitar and bass. EAE's editorialized their favourite parts of it into a compact overdrive pedal: The Bard.\u003c\/p\u003e\n\u003cp\u003eThe Bard's circuitry resembles a classic 1960s American amplifier reimagined with op amps in the place of tubes. The clean tones are clear and sparkly, with a gentle dip in the midrange thanks to the passive tone stack. Increasing Drive delivers medium gain sounds with a glassy edge, especially when the Bright switch is active. At the highest Drive settings, the op amps distort in a way that is unapologetically not “tube-like”—a hallmark of the original amps. The tone stack is located before the primary gain stage and can emphasize specific textures within the overdriven sound. The Bard is a versatile performer that will effortlessly traverse between traditional and angular stylings.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLevel: Output level. Handy as a boost!\u003c\/li\u003e\n\u003cli\u003eDrive: Increases the gain, from clean to touch sensitive to heavily overdriven. The taper of the control is highly influenced by the EQ settings and the position of the Bright\/Normal switch.\u003c\/li\u003e\n\u003cli\u003eLow: passive bass control, with about 15dB of range below 300Hz. Higher settings will make the drive more fuzzy.\u003c\/li\u003e\n\u003cli\u003eHigh: passive treble control, approximately 15dB of range between 1kHz-4kHz. Higher settings will increase gain for high frequencies, sharpening the drive sound.\u003c\/li\u003e\n\u003cli\u003eBright\/Normal Switch: Changes the treble contouring of the Drive control. At low drive settings, adds a glassy character. As drive is increased, the switch is more subtle. At maximum drive, the switch makes no discernible difference in the sound.\u003c\/li\u003e\n\u003cli\u003e125B enclosure (121mm x 66mm footprint)\u003c\/li\u003e\n\u003cli\u003eTrue bypass with relay switching\u003c\/li\u003e\n\u003cli\u003ePower: 9VDC center negaGve @ 60mA\u003c\/li\u003e\n\u003cli\u003e200kΩ input impedance @ 1kHz\u003c\/li\u003e\n\u003cli\u003e\u0026gt;5kΩ output impedance @ 1kHz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Electronic Audio Experiments","offers":[{"title":"Default Title","offer_id":50055146832184,"sku":"MAS-EAE-BARD","price":379.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/EAE_BARD_STOCK_1-copy.jpg?v=1744703976"},{"product_id":"electronic-audio-experiments-prismatic-wall","title":"Electronic Audio Experiments Prismatic Wall","description":"\u003cp\u003ePrismatic Wall is a sympathetic resonator designed to transmute incoming sounds into the vibrations of an illusory bank of tuned strings. Part reverb and part synthesizer, its metallic yet warm timbres span from the subtle harmonic aura of a third bridge to the rich chromatic suspensions of a grand piano. The simulated vibrations form a sustaining spectral extension of your instrument that retains a tangible physicality despite its surrealist underpinnings. The resonances are reactive in nature: playing in tune excites specific pitches, while percussive attacks excite all the strings in tandem.\u003c\/p\u003e\n\u003cp\u003ePrismatic Wall utilizes a physical string model formed by tuned delay lines. Tuning is achieved by varying the sample rate of the system, manipulating the physical model in decidedly non-physical ways. The Mode selector determines the interval spacing between strings, with each configuration carefully selected to maintain a sense of harmonic ambiguity. Damping and Decay change the brightness and sustain of the strings, ranging from short plucks to infinite drones.\u003c\/p\u003e\n\u003cp\u003eThe hardware combines primitive DSP with analog saturation and filtering for a sonic character untethered from a particular era. A fully digital user interface enables all parameters to be controlled via MIDI, saved as presets, and even modulated by the onboard LFO. In addition, the Morphing function enables controllable transitions between two distinct settings via the Aux footswitch or an expression\/CV source.\u003c\/p\u003e\n\u003cp\u003ePrismatic Wall is a distinct instrument in its own right, a device that refracts musical intent into a manifold of harmonic colors. Will you traverse its intricate layers?\u003c\/p\u003e","brand":"Electronic Audio Experiments","offers":[{"title":"Default Title","offer_id":50055147782456,"sku":"MAS-EAE-PWALL","price":679.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/EAE_PrismaticWall_STOCK_1-copy.jpg?v=1744703980"},{"product_id":"electronic-audio-experiments-limelight","title":"Electronic Audio Experiments Limelight","description":"\u003cp\u003eLimelight is a dual channel overdrive developed in collaboration with LA-based punk band Touche Amore. The distinctive bright, clear tones of guitarists Nick Steinhardt and Clayton Stevens form the foundation of TA's impassioned brand of post-hardcore, letting their riffs morph effortlessly between serene clean passages and cacophonous blast beats. This pedal was originally developed to commemorate the release of their 2020 LP, Lament, but since earned its place in a wide variety of guitar rigs spanning genres.\u003c\/p\u003e\n\u003cp\u003eIn preparation for the recording of Lament, EAE worked with Nick and Clayton to create a new op amp overdrive with equal parts aggression and chime. While loosely based in the “breaker” lineage, we made significant changes to the circuit for superior articulation and a much wider range of gain. An independent front-end boost rounds out the package, perfect for adding power to clean tones or pushing the overdrive side into heavy distortion. While the primary goal was to help the band sound like their best selves, Limelight has a tone for everyone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBoost – adjusts the Boost channel from 0dB to +21dB of clean gain when turned clockwise.\u003c\/li\u003e\n\u003cli\u003eDrive – Simultaneous control of two gain stages, with a natural midrange boost as you turn it clockwise. Achieves approximately 50dB at the maximum setting.\u003c\/li\u003e\n\u003cli\u003eTone – Adjustable low pass filter, clockwise for more treble and counterclockwise for less.\u003c\/li\u003e\n\u003cli\u003eVolume – Output level control, turn clockwise for more volume.\u003c\/li\u003e\n\u003cli\u003eFocus – Variable low cut in the drive section, adjusts the amount of chime and midrange presence.\u003c\/li\u003e\n\u003cli\u003eLeft footswitch – Engages drive circuit\u003c\/li\u003e\n\u003cli\u003eRight footswitch – Engages boost circuit\u003c\/li\u003e\n\u003cli\u003eIndependent boost and drive circuits with relay-based true bypass switching which defaults to bypass in the event of power loss.\u003c\/li\u003e\n\u003cli\u003eInput impedance @ 1Khz: 500kΩ (boost\/drive)\u003c\/li\u003e\n\u003cli\u003eOutput impedance @ 1Khz: 1kΩ (boost), \u0026lt;5kΩ (drive)\u003c\/li\u003e\n\u003cli\u003ePower: 9VDC, 2.1mm center negative barrel. The current draw is 80mA with both channels engaged.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Electronic Audio Experiments","offers":[{"title":"Default Title","offer_id":50055148634424,"sku":"MAS-EAE-LIMEV2","price":449.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/eae-limelightv2-Limelight_V2_STOCK_2.jpg?v=1744703982"},{"product_id":"electronic-audio-experiments-citadel","title":"Electronic Audio Experiments Citadel","description":"\u003cp\u003eThe Electronic Audio Experiments Citadel is a preamp-style overdrive inspired by the everlasting sounds of British amplifiers from the '60s and '70s. Rather than emulating a specific model, it encompasses EAE's favorite parts of a whole generation of amplifiers: from warm, piano-like clean tones all the way through to bright, clear overdrive.\u003c\/p\u003e\n\u003cp\u003eThe Citadel began as a series of experiments on EAE's Model feT pedal. Like any tube amp, there are ample opportunities for modifications. After all, the original Model T was itself a modified take on the Super Bass sound, delivering a distinct variety of the plexi flavor with fuzzy breakup and a huge low frequency punch. So, what if we flavored it EAE's own way? Once Brad completed his \"Marsha\" prototype, it was on. In a way, you can think of the Citadel as a re-plexi-fied Model T sound, trading low end sludge for a sparkly midrange focus.\u003c\/p\u003e\n\u003cp\u003eFinally, like EAE's Model feT, the Citadel emulates both the preamp and power amp sections of a tube amp to provide a full-bodied overdriven tone that feels powerful and responds wonderfully to boosts, drives, and fuzzes in front. It can be used either a conventional drive pedal or as the workhorse of an ampless signal chain.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBright Gain: turn clockwise to add gain from the parallel Bright channel, which is voiced for chime and sparkle. Adds bite to the drive tone at higher settings. The bright channel is fully muted when this control is at zero.\u003c\/li\u003e\n\u003cli\u003eNormal Gain: turn clockwise to add gain from the parallel Normal channel, which has a dark, full-bodied voicing. Higher settings produce a thicker gain sound. The normal channel is fully muted when this control is at zero.\u003c\/li\u003e\n\u003cli\u003eBass, Midrange, Treble: 3-band FMV (Fender\/Marshall\/Vox) style tone stack. Moderately mid scooped and relatively subtle in its operation, but decidedly authentic. Most effective at clean to medium gain settings. For a flatter, more traditional pedal voicing, try Midrange at max with the Bass and Treble at zero.\u003c\/li\u003e\n\u003cli\u003eMaster: sets overall output volume. This control is capable of high volumes to guarantee loud operation at the cleanest settings. Use judiciously!\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Electronic Audio Experiments","offers":[{"title":"Default Title","offer_id":50055149650232,"sku":"MAS-EAE-CITADEL","price":449.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/eae-citadel-EDIT_IMG_4673.jpg?v=1744763535"},{"product_id":"electronic-audio-experiments-model-fet","title":"Electronic Audio Experiments Model feT","description":"\u003cp\u003eThe Model feT is a transistor-based preamplifier designed around the legendary Sunn Model T amplifier. Those who have played the original know that while it excels at heavy tones when pushed, it is far more than just an amp for stoner rock and doom metal. In fact, on its own it is a rather clean amplifier with a tone that is dark yet clear and present—making it an exceptional pedal platform.\u003c\/p\u003e\n\u003cp\u003eMost famous Model T tones come from putting a distortion or fuzz in front of the amp. Thus, the Model feT is designed to sound good on its own and with other pedals stacked in front. This pedal goes beyond the standard triode-to-JFET emulation approach with the inclusion of an emulated power amp. This broadens the range of gain and—in the true spirit of the original amp—allows for massive headroom and volume output. This greatly expands its capabilities beyond a typical drive pedal: the Model feT can be used directly into a power amp, cab simulation, or DAW.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNormal: turn clockwise to add gain from the parallel “Normal” channel, which has a neutral voicing. Higher settings produce a thicker gain sound. The normal channel is fully muted when this control is at zero.\u003c\/li\u003e\n\u003cli\u003eBrite: turn clockwise to add gain from the parallel “Brite” channel, which is voiced for extra midrange and sparkle. Adds bite to the drive tone at higher settings. The “Brite” channel is fully muted when this control is at zero.\u003c\/li\u003e\n\u003cli\u003eBass, Midrange, Treble: 3-band FMV EQ with the same moderately mid-scooped voicing as the original amp: highly interactive and nonlinear, but familiar.\u003c\/li\u003e\n\u003cli\u003eMaster: sets overall output volume. This control is capable of high volumes in order to access quieter clean settings and to properly drive an external power amp.\u003c\/li\u003e\n\u003cli\u003eBypass: Relay switching with true bypass\u003c\/li\u003e\n\u003cli\u003eInput impedance @ 1 Khz: 500kΩ\u003c\/li\u003e\n\u003cli\u003eOutput impedance @ 1 Khz: 1kΩ\u003c\/li\u003e\n\u003cli\u003ePower: 9V DC, 2.1 mm center negative barrel. The current draw is 65 mA.\u003c\/li\u003e\n\u003cli\u003eWe recommend a regulated, isolated power supply rated for 100 mA minimum. The PSU input is protected against reverse polarity and over-voltage up to 24V. EAE's pedals do not accept batteries.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Electronic Audio Experiments","offers":[{"title":"Default Title","offer_id":50055149683000,"sku":"MAS-EAE-MODELFET","price":449.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/eae-modelfet-01.jpg?v=1744761938"},{"product_id":"electronic-audio-experiments-halberd","title":"Electronic Audio Experiments Halberd","description":"\u003cp\u003eThe Electronic Audio Experiments Halberd is a discrete transistor overdrive circuit designed for the greatest possible dynamic range and note clarity. It fills a special niche EAE's family of drive pedals—a medium-gain device with the harmonic fullness and grind of a much higher-gain pedal, one that stands apart from both the brazen buzz of op amp distortion and the smooth breakup of JFET amp emulations alike.\u003c\/p\u003e\n\u003cp\u003eThe Halberd's character comes from over a dozen transistors working in harmony. It is familiar but unique, sitting somewhere between blown-up tweed and an overloaded console. Rather than resigning itself to transparency, it imparts its character in a collaborative fashion, responding in unique ways to different instruments and amplifiers but not without leaving its distinct fingerprints. And of course, it is equally at home on guitar, bass, and synthesizer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePre: This sets the overall signal gain. Lower settings impart light compression, then increasing amounts of clipping up to a medium overdrive, depending on the Voice and Depth settings.\u003c\/li\u003e\n\u003cli\u003eDepth: This is an adjustable low frequency shelving filter at the input, and is very interactive with the setting of the Pre control. It can be thought of as a second gain control affecting low frequencies only.\u003c\/li\u003e\n\u003cli\u003eTone: This is an adjustable high shelf cut at the output, helpful for taming harsher frequencies especially at high gain settings.\u003c\/li\u003e\n\u003cli\u003ePost: This sets the overall output level, and is buffered for full transparency at all signal levels.\u003c\/li\u003e\n\u003cli\u003eVoice: 3 position switch to set the overall drive character\u003c\/li\u003e\n\u003cli\u003eClang (up): increases gain in the upper midrange, for an aggressive sound and a sharp attack\u003c\/li\u003e\n\u003cli\u003eStandard (middle): moderate gain with a gentle mid push; identical to Halberd V1\u003c\/li\u003e\n\u003cli\u003eDeep (down): a full range gain boost with woolly saturation and a fuzzy note attack\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Electronic Audio Experiments","offers":[{"title":"Default Title","offer_id":50055149748536,"sku":"MAS-EAE-HALBERDV2","price":449.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/eae-halberdv2-Halberd_1.jpg?v=1744703988"},{"product_id":"electronic-audio-experiments-sending-v2","title":"Electronic Audio Experiments Sending V2","description":"\u003cp\u003eSending is an analog delay that melds the archaic voice of bucket brigade devices with a fully modern toolbox of digital control. It embraces the character and idiosyncrasies of the medium while delivering high quality sound and performance-friendly features worthy of the modern musician.\u003c\/p\u003e\n\u003cp\u003eUsing two MN3005 BBDs and comprehensive analog processing techniques, Sending can delay a sound up to a full second without clock noise, and it can be pushed to even longer times for compelling sonic degradation. At the input is a discrete preamplifier for subtle enhancement and warm saturation that melds perfectly with the delay line. A dual-mode feedback filter shapes the repeats into deep pulses or bright, tapelike echoes. Its flexible LFO engine can modulate the delay time for gentle movement that gives way to musical chaos. Conducting this analog ensemble is a 32-bit, 100MHz processor granting deep user control, preset functionality, and MIDI access to every parameter.\u003c\/p\u003e\n\u003cp\u003eSending is EAE's love letter to the antiquated yet enduring technology of analog delay. As you explore its many shades of interplay between past and future, we hope you find it as immersive as we do.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUp to 1 second of delay time using a pair of MN3005 reissue BBDs (extendable to 2+ seconds via tap tempo or MIDI).\u003c\/li\u003e\n\u003cli\u003eA unique discrete preamplifier for subtle enhancement or full-range saturation that is automatically balanced for optimal output levels at all settings.\u003c\/li\u003e\n\u003cli\u003eTrails bypass mode that allows the preamp to be used as an always-on drive.\u003c\/li\u003e\n\u003cli\u003eUnique dual-mode Filter control that changes the tone of the delay repeats.\u003c\/li\u003e\n\u003cli\u003eAdvanced analog filtering for low noise and high bandwidth on the delay line.\u003c\/li\u003e\n\u003cli\u003eComprehensive digital control of every function using a powerful 32-bit processor system that seamlessly integrates with the analog signal path.\u003c\/li\u003e\n\u003cli\u003eTap tempo with subdivisions and a hold mode for feedback swells.\u003c\/li\u003e\n\u003cli\u003eDelay time LFO engine with sine, square, and triangle waves plus a unique Chaos function that modulates the delay time using a truly random Lorenz attractor.\u003c\/li\u003e\n\u003cli\u003eInsert loop to apply external effects to delay repeats within the feedback path.\u003c\/li\u003e\n\u003cli\u003eSave and recall up to 32 presets: 3 via the front panel, the rest via MIDI.\u003c\/li\u003e\n\u003cli\u003eCV\/Expression input that can be mapped to one or multiple controls.\u003c\/li\u003e\n\u003cli\u003eTRS MIDI input for control changes, preset selection, and clocking.\u003c\/li\u003e\n\u003cli\u003eWeb-enabled firmware updates via the MIDI jack.\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Electronic Audio Experiments","offers":[{"title":"Default Title","offer_id":50055149781304,"sku":"MAS-EAE-SENDV2","price":1129.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/EAE_SendingV2_STOCK_1-copy.jpg?v=1744703990"},{"product_id":"electronic-audio-experiments-longsword","title":"Electronic Audio Experiments Longsword","description":"\u003cp\u003eThe Electronic Audio Experiments Longsword is yet another contender in the endless void of op-amp based drive pedals, but it is one that takes the topology in a novel direction. Cascaded gain stages allow for the full range from clean boost to massive distortion, all without sacrificing tonal flexibility. The equalizer combines bass and treble shelving filters with an active, frequency-selectable midrange boost\/cut control. This lets the user sculpt a diverse array of tones and carve out a niche in even the most dense of mixes. The Longsword has a broad frequency response which makes it work equally well with guitar, baritone, and bass.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLevel: output volume\u003c\/li\u003e\n\u003cli\u003eDrive: go from light grit to heavy overdrive\u003c\/li\u003e\n\u003cli\u003eLow\/High: James\/Baxandall tone stack (shelving filters)\u003c\/li\u003e\n\u003cli\u003eMid: active midrange boost\/cut\u003c\/li\u003e\n\u003cli\u003eShift: selects frequency controlled by Mid pot\u003c\/li\u003e\n\u003cli\u003eDiode: selects between clipping diodes, to alter dynamics and headroom\u003c\/li\u003e\n\u003cli\u003eUp: MOSFET clipping, medium compression\u003c\/li\u003e\n\u003cli\u003eCenter: no diodes, minimal compression\u003c\/li\u003e\n\u003cli\u003eDown: Silicon diode clipping, maximum compression\u003c\/li\u003e\n\u003cli\u003eBoost (Footswitch): engages a front end mid boost\u003c\/li\u003e\n\u003cli\u003eBoost (Knob): adds up to 20dB of gain when the Boost is engaged\u003c\/li\u003e\n\u003cli\u003eBypass: Relay switching with true bypass\u003c\/li\u003e\n\u003cli\u003eInput impedance @ 1 Khz: 500kΩ\u003c\/li\u003e\n\u003cli\u003eOutput impedance @ 1 Khz: 1kΩ\u003c\/li\u003e\n\u003cli\u003ePower: 9V DC, 2.1 mm center negative barrel. The current draw is 75 mA.\u003c\/li\u003e\n\u003cli\u003eWe recommend a regulated, isolated power supply rated for 100 mA minimum. The PSU input is protected against reverse polarity and over-voltage up to 24V. EAE's pedals do not accept batteries.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Electronic Audio Experiments","offers":[{"title":"Default Title","offer_id":50055150010680,"sku":"MAS-EAE-LONGSWORD","price":449.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/eae-longsword-01.jpg?v=1744761575"},{"product_id":"electronic-audio-experiments-x-pile-mirror-house","title":"Electronic Audio Experiments x Pile Mirror House","description":"\u003cp\u003eMirror House creates two pitch-shifted copies of an incoming signal which veer off into equal and opposite directions. This diametric approach to pitch shifting is capable of weird detuning, disorienting microtonal clusters, chords of parallel harmony, or ugly, strange dissonance. (It can also be a chorus.)\u003c\/p\u003e\n\u003cp\u003eThe two pitch voices can be shifted both statically and dynamically, with a selection of ranges and behaviours. Envelope controlled pitch-shifting creates dynamic vibrato, glissando, and divebomb effects as the voices are pulled apart and come back together. In Flutter mode, Animate controls a random LFO, for a tastefully off-kilter chorus and vibrato. Detune and Flutter modes each have a static range of a semitone, while Shift mode is quantized up to an octave in both directions. Depending on your harmonic tendencies, this particular array of features is perhaps an invitation, perhaps a provocation.\u003c\/p\u003e\n\u003cp\u003eThis pedal was originally developed in collaboration with our friends in the band Pile, and as of Version 2 is now available as a steady offering. This new version features the new Flutter mode, improved envelope sensitivity, and a reduced noise floor compared to Version 1.\u003c\/p\u003e","brand":"Electronic Audio Experiments","offers":[{"title":"Default Title","offer_id":50354889949496,"sku":"MAS-EAE-MIRRORHOUSE2","price":449.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/eae-mirrorhousev2-4by5hero.jpg?v=1749023066"},{"product_id":"science-amplification-mother-preamp-pedal","title":"Science Amplification MOTHER Preamp Pedal","description":"\u003cp\u003eThe Mother preamp is a recreation of its dual channel tube-powered namesake, but refined into pedal format. Just like the full-fledged amp, the Mother preamp is our modern take on the vintage high-wattage sounds of the early 70’s with added tonal range, control, and a voice all its own. The Mother preamp is designed to work equally well on your pedal board and into the front of your favorite amp, into a power amp, and recording interface\/DAW (in conjunction with speaker emulation\/IRs). The result is a wide-ranging utilitarian dual channel preamp that can add dimension and versatility to your rig with an eerily convincing Science signature tube tone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAccurate tonal recreation of the dual channel Mother MkIII amplifier\u003c\/li\u003e\n\u003cli\u003eAll analog FET signal path for tube-like response and tone\u003c\/li\u003e\n\u003cli\u003eDesigned to accommodate both guitar and bass\u003c\/li\u003e\n\u003cli\u003eTwo footswitchable channels with independent Gain and Loudness controls\u003c\/li\u003e\n\u003cli\u003eShared Treble, Middle, Bass EQ section\u003c\/li\u003e\n\u003cli\u003eDepth control to tailor front end bass response and feel\u003c\/li\u003e\n\u003cli\u003eAbsence control to smooth or emphasize harmonic content\u003c\/li\u003e\n\u003cli\u003eDistinctly voiced dual outputs for use into the front of a guitar or bass amp, directly into a power amp\/effects return, or recording interface (when used in conjunction with speaker emulation)\u003c\/li\u003e\n\u003cli\u003eExternal footswitch jack for remote channel switching (external switch sold separately)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Science Amplifiers","offers":[{"title":"Default Title","offer_id":50354890178872,"sku":"MAS-SCIENCE-MOTHER","price":529.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/science-amplification-mother-preamp-4by5-hero.jpg?v=1749023069"},{"product_id":"benson-amps-storkn-boks","title":"Benson Amps Storkn Boks","description":"\u003cp\u003eThe STORKN BOKS is a modified\/ augmented version of our Stonk Box pedal, created in collaboration with the main inspiration of the Stonk Box, legendary experimental guitarist and composer David Torn! STORKN BOKS is a confused\/- confusing and vaguely nordic mashup of \"Stonk Box\" and \"Torn\". It utilizes our automatic thermal bias, so after plugging it into power (9vdc only), it will take 2-3 minutes on average to sound correct. The color of the LED indicator light might change. Don’t turn the internal trimmer.\u003c\/p\u003e\n\u003cp\u003eThe STORKN BOKS started as a tweaked version of the Stonk Box, our heavily modified version of a Tone Bender mk1 Fuzz. When designing the Stonk, we reached out to David to help, since he is one of the most famous and discerning users of that original 60s circuit. David loved what we came up with, but for his personal pedal he requested more bass on tap, mostly for amplifying the sub frequencies of his down tuned guitars. We added a variable bass control, that effectively fades between the thinned out bass sound of the first version of the Zonk Machine (what the Stonk comes with stock), and the wide open sound of the mk1. The addition of more bass allows for even more gnarly, gated, gnarly and crushing Fuzz Tones than the Stonk Box could do stock.\u003c\/p\u003e\n\u003cp\u003eThe other major difference between the Stonk and the STORKN BOKS is the addition of a unique positive feedback switch. Knowing David and other unconventional guitarists were going to get a little weird with the pedal, Chris applied a misremembered idea from his lead tech and unconventional guitarist in his own right Carson McWhirter.... He used a diode network in the oscillation path to get weird sub tones, synthy filter sounds and basically the ability to ruin a perfectly good set with the press of a button. It is powerful magic. We honestly can't recommend pressing this button, but if you do, use the fuzz right after your guitar, and make sure to twist every knob including your onboard volume and tone. We won't spoil it for you, but I know we haven't found all the sounds in there yet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAUTOMATIC THERMAL BIAS TECHNOLOGY\u2028\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe bias of the transistors in this pedal is automatically regulated by a circuit that GENTLY warms the Germanium transistors (2N404 OR 2N527) to a preset operating point using analog components, and ensures a consistent sound, no matter the external temperature. When the LED is amber, the transistors are warming up to increase their hFE (transistor gain) and to shift the bias point to the correct voltage. When the LED turns green, the warmer is off because the correct bias and hFE have been set. Expect the LED to toggle back and forth every so often while the pedal is on...that is how you know it's working. The heaters will warm the transistors enough to still be effective on a summer stage, but far cooler than anything that would harm the transistors. This pedal is designed to operate between freezing and 100F but might still sound fine outside this range....up to about 120F where we’ve found germanium straight up ceases to function...which can happen if it’s left in the sun.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINTERNAL TRIMMER\u2028\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePlease don’t turn the internal trimmer. It is precisely set at our factory. Turning the trimmer voids the warranty. The correct trimmer position is marked in case you get one used where a tone lord hath already turnt it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER SUPPLY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis pedal is for use only with a 9vdc Boss syle center negative power supply...There is no battery. Please do not subject this pedal to more than 9vdc or the pedal or power supply could be destroyed. This pedal draws less than 100ma when the heater is engaged, and far less than that when it is off. It will pull those 100ma instantaneously, which most power supplies have no issue with. With substandard or non standard power supplies it is possible the pedal will start oscillat- ing madly at the heater threshhold, where the LED changes, in which case may we suggest using a current doubler cable, or switching to a higher rated power output.\u003c\/p\u003e","brand":"Benson","offers":[{"title":"Default Title","offer_id":50354919309624,"sku":"MAS-BENSON-STORKN","price":489.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/benson-storknboks-4by5-hero.jpg?v=1749023757"},{"product_id":"electronic-audio-experiments-glaive-fuzz","title":"Electronic Audio Experiments Glaive Fuzz","description":"\u003cp\u003eThe Electronic Audio Experiments Glaive is the most dangerous gain device in the EAE lineup. This discordant yet deceptively versatile op amp fuzz is capable of over +80dB of gain. The Weight knob adjusts a lightly resonant high pass filter at the input, for tones ranging from tight, ripped- speaker grind to bass-rich sludge. Texture blends in a full-wave rectified analog signal, producing an octave up that gets fed into the fuzz input. Use it for subtle scrambling, or to generate piercing intermodulation products and sub-bass artifacts with a synthesizer-like attack. The LPF toggle can focus harsh overtones or unleash a full-spectrum cut through any mix. Finally, the Squelch toggle enables a brute-force, highly effective bias gate that can temper even the most fanatical gain levels and impart a crumbly, ripping quality to the note decay.\u003c\/p\u003e\n\u003cp\u003eThe whole package is rounded out with a robust, high-headroom 24V internal power supply and quiet buffered bypass with intelligent momentary\/latching functionality. Indeed, despite its belligerent nature, the Glaive possesses a deadly finesse.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLevel: Output volume level.\u003c\/li\u003e\n\u003cli\u003eFuzz: Controls the signal flow into the primary gain stage. Increase to add gain, up to an irresponsible +80dB.\u003c\/li\u003e\n\u003cli\u003eWeight: Changes the cutoff of a high pass filter at the input to alter the attack and thickness of the fuzz. Decrease for a tight attack, increase for crushing bass frequencies.\u003c\/li\u003e\n\u003cli\u003eTexture: Turn clockwise to blend in an analog octave up at the input of the fuzz circuit. Low settings add subtly broken harmonics, high settings add a strong 2nd harmonic with extended overtones and sub-bass artifacts.\u003c\/li\u003e\n\u003cli\u003eLPF (left toggle): 3-position tone switch. Center = no high cut, down = moderate high cut, up = strong high cut.\u003c\/li\u003e\n\u003cli\u003eSquelch (right toggle): 3 position controlling bias\/gate behavior. Center = off, down = mild gating, up = strong gating.\u003c\/li\u003e\n\u003cli\u003eFootswitch: Activates the effect with intelligent momentary\/latching behavior.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBypass switching: Silent electronic switching with a high-headroom op amp buffer\u003c\/li\u003e\n\u003cli\u003eInput impedance @ 1Khz: 1MΩ\u003c\/li\u003e\n\u003cli\u003eOutput impedance @ 1Khz: \u0026lt;1KΩ\u003c\/li\u003e\n\u003cli\u003ePower: 9VDC, 2.1mm center negative barrel. The current draw is 70mA.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWe recommend a regulated, isolated power supply rated for 100 mA minimum. The DC input is protected against reverse polarity and over-voltage up to 20V. \u003cstrong\u003eEAE pedals do not accept batteries.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Electronic Audio Experiments","offers":[{"title":"Default Title","offer_id":51268832198968,"sku":"MAS-EAE-GLAIVE","price":449.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/EAE_Glave_STOCK_1.jpg?v=1761136098"},{"product_id":"greer-amps-mizuki-blue-dual-jfet-gain","title":"Greer Amps Mizuki Blue Dual JFET Gain","description":"\u003cp\u003eMizuki Blue is a dual-JFET overdrive pedal designed to replicate the feel and dynamics of two cascading tube gain stages. JFET transistors were created to emulate the warm, responsive character of tubes in a solid-state format, and Mizuki Blue puts them to work—one stage driving the other into rich, chewy overdrive. From fat vintage grunt to a clear, musical boost, this circuit covers a wide tonal spectrum. The simple three-knob layout makes it easy to dial in tones for everything from jazz and country to classic and hard rock. It stacks beautifully with other drives, adding depth, complexity, and harmonic richness to your sound.\u003c\/p\u003e\n\u003cp\u003eMizuki Blue isn’t just another gain stage—it’s a tone-shaping weapon. Kick it in front of your favorite drive for searing saturation, drop it behind for a powerful boost, or let it stand alone into your amp for raw grit and rich texture. We’ve even pushed it straight into recording interfaces to capture wild, blown-out character and fuzz-like tones that cut through any mix.\u003c\/p\u003e","brand":"Greer Amps","offers":[{"title":"Default Title","offer_id":51268832231736,"sku":"MAS-GREER-MIZUKIBLUE","price":369.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/Greer_MizukiBlue_STOCK_1.png?v=1761136101"},{"product_id":"milkman-benson-the-amp","title":"Benson The Amp","description":"\u003cp\u003eMilkman and Benson have teamed up to create Benson The Amp, a convenient and portable solution for those wishing to achieve the Benson sound in a portable and versatile form factor.\u003c\/p\u003e\n\u003cp\u003eAt its core Benson The Amp takes the high voltage tube preamp circuit of the Monarch\/Chimera amplifiers and couples it to class D 100 watt power amp which boasts enough power for any situation. We’ve added some appropriate effects like a gain boost, a spring reverb, a “room” control and an analog cab sim for direct recording or silent stages.\u003c\/p\u003e\n\u003cp\u003eThe BASS and TREBLE controls are from the Benson Chimera and Monarch preamp which are known for sounding good and useful at every setting. There are no wrong places to put them. Big changes can sound subtle but upon further inspection can yield big differences in tonality and feel. They’ve been tuned to work for any guitar or instrument you choose put through them.\u003c\/p\u003e\n\u003cp\u003eThe VOLUME control on Benson The Amp might break up sooner than you might be accustomed to. You can achieve natural tube breakup by setting VOLUME at higher settings and backing down the OUTPUT to normalize the volume level. If distortion is not wanted or needed, simply turn the VOLUME level down and turn the OUTPUT up to compensate for volume.\u003c\/p\u003e\n\u003cp\u003eREVERB is a DSP spring reverb sound developed especially for Benson\/Milkman by Keeley Electronics. REVERB is foot-switchable on the top of the unit.\u003c\/p\u003e\n\u003cp\u003eThe ROOM effect gives life to direct recording or guitar on silent stages. It mimics the early reflections from an amp sound in a nice room or studio and livens up the signal and improves the feeling of playing guitar without the benefit of a cranked speaker behind you. There are internal trim pots (behind the right wood side panel) to change this reflection time to achieve a slower slap back effect. If the room effect is not wanted or needed you can adjust the setting to a standard slap back delay. Even though ROOM is intended to integrate with the cab sim output, we’ve made it available to come out of the speaker cabinet as well. The ROOM effect comes out of every output on Benson The Amp.\u003c\/p\u003e\n\u003cp\u003eThe BOOST is a clean opamp based signal boost before the tube preamp of Benson The Amp. You can use it to overdrive (or further overdrive) the 12AX7 tube stages to get even more natural saturation if desired. It is capable of a full 24db of boost. The BOOST is also foot-switchable.\u003c\/p\u003e\n\u003cp\u003eThe CAB SIM on the rear panel by the XLR output simulates a speaker cabinet for direct recording or silent stages. Benson captured their favorite mic’d up cabinet frequency response of their oversized 1x12 cabinet loaded with a Benson Ceramic 30 speaker with an AEA N22 ribbon microphone in front and emulated this sound using a no-latency analog circuit. CAB SIM can be bypassed on the rear panel via a toggle switch.\u2028\u2028\u003c\/p\u003e\n\u003cp\u003eBenson The Amp also shares many of the great features of The Amp series including a studio quality line output with cabinet simulation, pedal level output, speaker output, headphone output and universal power.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWATTAGE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e50W 16ohm Output\u003c\/li\u003e\n\u003cli\u003e100W 8ohm Output\u003c\/li\u003e\n\u003cli\u003e200W 4ohm Output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDIMENSIONS \u0026amp; WEIGHT: \u003c\/strong\u003e 8-1\/2\" W x 3\" H x 6-1\/2\" D 2.5lbs\u003c\/p\u003e","brand":"Milkman","offers":[{"title":"Default Title","offer_id":51273968091448,"sku":"MAS-MILKMAN-BENSONTHEAMP","price":1589.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/BensonMilk_TheAmp_STOCK_1.jpg?v=1761265341"},{"product_id":"benson-portable-distortion-424-mkii-preamp-pedal","title":"Benson Portable Distortion 424 MKII Preamp Pedal","description":"\u003cp\u003eThe 424 MKII Preamp takes it’s inspiration from the raw and grimy distortion texture and broad EQ control from a classic cassette 4-track recorder preamp.\u003c\/p\u003e\n\u003cp\u003eBenson have expanded the versatility of this circuit by adding a bypassable buffer that drastically changes the gain and character of the pedal. This helps the pedal play well with high-impedance guitar signal, making it capable of all kinds of sounds…clean boosting with subtle EQ, a treble boost, warm and dark textures, and all-out chaotic grind. Bypass the buffer hear the faithful recreation of the sound of plugging an electric guitar directly into the original.\u003c\/p\u003e\n\u003cp\u003eHandmade in Portland Oregon, and powered by DC9v only. No batteries please.\u003c\/p\u003e","brand":"Benson","offers":[{"title":"Default Title","offer_id":51375021097272,"sku":"MAS-BENSON-424MKII","price":369.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/benson-424-mkii-pedals_17_0947.jpg?v=1763535309"},{"product_id":"raingerfx-reverb-x-with-igor-reverb-pedal","title":"Rainger FX Reverb-X (with Igor) Reverb Pedal","description":"\u003cp\u003eThis is a digital reverb mini-pedal, simple to use, but giving a whole selection of unique – and very useful – new sounds. It comes with an Igor expression pad for real-time control. ‘Size’ adjusts the length of the effect, and ‘Level’ the amount of it you hear (the original guitar signal is always present).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDISTORTION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Reverb-X really comes into its own in how it can deal with the reverb. It’s based on the excitement of plugging an overdrive pedal after a reverb pedal; it’s ‘wrong’, but everything you play sounds huge and epic, exaggerated and full of texture and detail… Here, an overdrive circuit – after the reverb – can be blended in via the ‘Distn’ knob. Have it totally clean, a bit gritty, quite rough, or dial in a fully burnt-out glow.\u003c\/p\u003e\n\u003cp\u003eAt all times, however, the input signal is unaffected; if you already use an overdrive pedal, the Reverb-X can add a whole new dimension of distortion to your sound! If your tone is clean however, it stays clean – no matter how much distorted reverb you dial in.\u003c\/p\u003e\n\u003cp\u003eUsually though, in this situation when you stop playing, the hum from your cable alone would be as loud as the notes you were playing! So you have to have a noise gate involved...\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOISE GATE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe noise gate is post reverb and distortion. With it switched on it opens when you play, and closes hard when you stop, cutting off any reverb that’s happening – giving an incredibly dramatic and original effect. Sure, it’s a gated reverb, but play a long riff and the gate stays open, giving the full reverberation as set by the ‘Size’ knob. Stop playing and the whole thing is shut down, giving a tight control over it – like a hard-edited ‘sample’.\u003c\/p\u003e\n\u003cp\u003eThe ‘input’ control and ‘Overload’ LED ensure that the output is always as loud – and clean (if desired) – as possible. The ‘Out’ knob has plenty of spare output volume on tap.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIGOR:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePlug in the Igor expression pad and you get no reverb at all. However as you start to lean on it the signal gets diverted to the waiting reverb pathway, and a bloom of reverberation grows behind whatever notes you’re playing. Take your foot off of Igor and you go back to fully dry – but the reverb decays on its own.\u003c\/p\u003e\n\u003cp\u003eOr have the ‘Gate’ switch in, and the added reverb is cut short, like some twisted dub-meister at the controls, messing with everyone’s depth perception….\u003c\/p\u003e\n\u003cp\u003eThe two types of reverb available are set to cover the widest range of musical situations as possible. The Reverb-X is an incredibly flexible, easy-to-use, and inspiring effect – all in a deeply cute package!\u003c\/p\u003e","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":51389727932728,"sku":"MAS-RNGRFX-REVERBX","price":379.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/rainger-reverbX-4by5.jpg?v=1768432317"},{"product_id":"rainger-fx-chop-fuzzz-distortion-pedal","title":"Rainger FX Chop Fuzzz Distortion Pedal (with IGOR)","description":"\u003cp class=\"\"\u003eThe Chop Fuzzz is an uncompromising all analog, full-on gated fuzz pedal - with a whole bunch of interesting ways of manipulating the signal. \u003c\/p\u003e\n\u003cp class=\"\"\u003eIt’s the latest instalment in the Dr Freakenstein dynasty!!!\u003c\/p\u003e\n\u003cp class=\"\"\u003eAs well as fuzz, it has two types of modulation, a pressure-operated expression pedal (to do wah wah-like effects), a tunable drone facility - capable of ring modulator tones - and a noise gate; it’s actually a very specific kind of multi-effects pedal.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFUZZ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe fuzz circuit is the same massive distortion one used in the original Dr Freakenstein Fuzz (plus the three versions that followed, and the first Dr Freakenstein Chop Fuzz, and the six minipedal versions). It’s incredibly loud, with a ton of low-end, and searing highs available.\u003c\/p\u003e\n\u003cp class=\"\"\u003eYet it’s weirdly quiet when you’re not playing.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eThe ‘OVERTONE’ control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThis is like a wah wah with the tone of an extreme phaser. Set it using the knob, or manipulate it in real time by foot with our Igor pressure pad controller (supplied). \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eThe ‘LFO’ section\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThis modulates the signal in a slightly more ‘3D’ way than the ‘overtone’ sound. Moving in a triangle waveshape, the speed can be set using two knobs. ‘Slow’ has a low speed range - for long, slowly-twisting cycles right up to fast wobbles, while the second one - ‘fast’ - is in the audio range; tune it in to a specific pitch (across several octaves) underneath the notes or chords that you’re playing.\u003c\/p\u003e\n\u003cp class=\"\"\u003eToggle between these two on-the-fly with the footswitch. \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e‘CHOP’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Chop Fuzzz has a hard squarewave tremolo built-in. When locked-on, in combination with the ‘LFO’ section it can create all kinds of slowly sweeping helicopter effects, or fast, bubbling synthy-sounds.\u003c\/p\u003e\n\u003cp class=\"\"\u003eOr flash it on and off at specific points for a chop accent using the Igor controller.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eWhat else?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eIt has a ‘Hi\/Lo’ intensity switch.\u003c\/p\u003e\n\u003cp class=\"\"\u003eIt can be controlled using 5v CV by sequencer or modular synth.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThere’s a spooky ‘eye meter’, showing the input signal level, but also - using backlight illumination - the LFO and ‘Chop’ operation and Hi\/Lo setting.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe LFO and Chop switches light up - for extra clarity and LED thrillpower!\u003c\/p\u003e\n\u003cp class=\"\"\u003eBoth the desk-style enclosure and the knobs are custom Rainger FX designs.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe pedal is true bypass.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Chop Fuzzz is easily the most advanced Dr Freakenstein pedal we’ve produced.\u003c\/p\u003e\n\u003cp class=\"\"\u003eAn extreme pedal for extreme sounds.\u003c\/p\u003e","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":51509601403192,"sku":"MAS-RAINGER-CHOP","price":469.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/rainger-chop-fuzz-4by5.jpg?v=1768432061"},{"product_id":"milkman-the-amp-stereo","title":"Milkman The Amp Stereo","description":"\u003cp\u003e\u003cspan\u003eThe Amp Stereo is the newest release in Milkman Sound’s series of amplifiers in a pedal format. Following on the heels of The Amp and The Amp 100 we have a newly designed fully stereo amplifier design with many extra features that will surely make this amplifier an essential part of any musician’s toolkit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThere is now an elegant, analog, easy to use end of the chain solution for players using stereo effects featuring our cab sim sweetener, a stereo headphone amplifier and two powerful channels of amplification. On top of the stereo functionality, The Amp Stereo can be run as two independent amplifiers each powering separate channels of audio.\u003c\/p\u003e\n\u003cp\u003eUse the built in footswitches to sum to mono and fix phase issues potentially created by wet\/dry guitar setups or cabinets with reverse polarity. The two outputs can run into separate cabinets varying in impedance and wattage – for example a 4ohm bass cabinet can be powered by one side and 8ohm guitar cabinet by the other. The Amp Stereo has been designed to maximize headroom and serve as a foundation for all manner of instruments and effects.\u003c\/p\u003e\n\u003cp\u003eLike all Milkman products, The Amp Stereo is built by hand in California with the finest components available.\u003c\/p\u003e\n\u003cdiv class=\"wattage\"\u003e\n\u003ch3 class=\"small-light-h\"\u003eWATTAGE\u003c\/h3\u003e\n\u003cp\u003e50W 16ohm Output x2\u003c\/p\u003e\n\u003cp\u003e100W 8ohm Output x2\u003c\/p\u003e\n\u003cp\u003e200W 4ohm Output x2\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"effects\"\u003e\n\u003ch3 class=\"small-light-h\"\u003eFOOTSWITCHES\u003c\/h3\u003e\n\u003cp\u003eSUM converts the 2 independent channels to mono (both outputs)\u003c\/p\u003e\n\u003cp\u003ePHASE flips phase on the right channel (useful for wet\/dry)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"dimsandweight\"\u003e\n\u003ch3 class=\"small-light-h\"\u003eDIMENSIONS \u0026amp; WEIGHT\u003c\/h3\u003e\n\u003cp\u003e8-1\/2\" W x 3\" H x 6-1\/2\" D 2.5lbs\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Milkman","offers":[{"title":"Default Title","offer_id":51522937323832,"sku":"MAS-MILK-THEAMPSTEREO","price":1419.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/milkman-stereo-hero.jpg?v=1768866321"},{"product_id":"greer-soma-63-preamp-pedal","title":"Greer SOMA 63 Preamp Pedal","description":"\u003cp\u003eA brave new world of tone, the SOMA ‘63 Vintage Preamp is the first pedal in the XFR series of pedals from Greer Amps. The SOMA ’63 is a true vintage preamp, based on the tone and feel of vintage brown era amplifiers from California. This pedal simulates the entire preamp, phase inverter, power section, and even the feel of the vintage 10 inch Utah speakers that were in those famous brown amps. The tone stack is designed to provide a wide and dynamic range of tonal options to the user. The Presence control works with the tone stack, and is designed to be a wide range control, effecting the overall sound of the entire circuit. The SOMA ’63 features a steel core transformer in the audio signal path. The transformer lends to the overall tone shaping of the circuit, and when the gain is pushed hard, especially with higher output pickups, the small steel core transformer will saturate, just like a vintage amplifier. The SOMA ’63 can be used as a tone-shaping preamp, or as an overdrive pedal. There are a wide variety of tones available in the SOMA ’63, so spend some time with your new pedal, and find the tones that rock your world!\u003c\/p\u003e\n\u003cp\u003eThe SOMA ‘63 runs off of a standard, negative center pin 9 volt power supply, and can be ran off of up to 18 volts. At 9 volts, the SOMA ‘63 will have more grit and texture. At 18 volts, you can expect higher headroom, a bit stiffer response, and less overall grit. Greer Amps’ 5 year warranty covers manufacturing defects and component failure to the original owner, it does not cover misuse or abuse.\u003c\/p\u003e\n\u003cp\u003eEnclosure Dimensions (in): 4.77\" x 2.6\" x 1.39\"\u003cbr\u003ePower: 9-18 volt neg. center pin ONLY. \u003cbr\u003eCurrent draw: 10mA @ 9v, 18mA @ 18V.\u003c\/p\u003e","brand":"Greer Amps","offers":[{"title":"Default Title","offer_id":51562960126264,"sku":"MAS-GREER-SOMA63","price":409.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2689\/3554\/files\/soma63-trans-pre-hero.jpg?v=1767142269"}],"url":"https:\/\/echotone.com.au\/collections\/boutique-effects-pedals-new-arrivals.oembed","provider":"Echo Tone","version":"1.0","type":"link"}